WEEK - 1 : VISUALISING THE NARRATIVES
FLOOR PLAN (SHOOTING PLAN) & STORYBOARD
Floor plan and storyboards help to organise and visualise a film. Floor plan is an overhead diagram of where the camera put on the various angles, where the walls and furniture are and where the actors go. By putting such as circles, triangles, line and arrow on the paper, we can easily understand what they indicate in the each sequence. Storyboards help to visualise how the sequence will come together when director get into the edit
Stanley Kubrick's shooting plan & storyboards
CAMERA SHOTS AND ANGLES
STATMENT OF INTENT
I have been fascinated by hero film and sci-fi film such as Marvel studio film, Avatar and E.T since I was younger and The Marvel films made me decided to study in Visual Effects. I would like to build my experience and knowledge of imaging software and develop my eye for composition film in this University. Being a VFX artist, it requires the seamless the blend of the understanding principles of VFX and producing computer generated creatures. This part of VFX artist roles might make me have more motivation for studying in VFX industry. I would say that making the audience believe that what they are seeing is real would be the most interesting job ever since as a VFX artist.
WEEK - 2 : CAMERA WORK
MY PHOTO STORIES
UNDERSTANDING OF
APERTURE, SHUTTER SPEED & ISO
These three setting control, Aperture, Shutter Speed and ISO, interact with each other and work together to produce a photo that is properly exposed. We call this connection the "Exposure Triangle". When one of these elements variable changes, it must affect the other elements. Therefore, we have to adjust them to keep a certain quantity of light to expose it correctly.
The aperture controls the amount of light falling on the sensor through the lens when we press the shutter button, and depend on how big the iris opens up a hole inside the lens.
Depth of field is the distance between two objects which are closest and farthest in a photo. The Aperture can also affect on the depth of field of an image.
The Shutter Speed is the length of time how long the light hits the camera sensor while the camera shutter opening to expose light. It can be opened for a fraction of a second or minutes.
The Shutter Speed should match a object's movement. A faster shutter speed can capture freeze motion, while a slow can create motion blur.
The ISO refers to how bright your images are and how much sensitive a camera to light. The lower ISO values, the less sensitive it it to the light and the higher ISO, the more sensitive it is.
Low ISO values can be used in bright conditions, while higher ISO can be in dark conditions. But a high ISO can result in digital 'noisy' images.
WEEK - 3 : FORCED PERSPECTIVE
UNDERSTANDING OF FORCED PERSPECTIVE
EXAMPLES OF FORCED PERSPECTIVE
WEEK - 4 PHOTO-STORIES
WEEK - 5 : CREATING STORIES
WEEK - 6 : THE KULESHOV EFFCT
MY KULESHOV EFFECT VIDEO
WEEK - 8 : THE 12 PRINCIPLES OF ANIMATION
TASK 1 : STOP-MOTION ANIMATION
For today's task, I made a simple short stop-motion animation with a orange at 12 fps using smartphone application "iMotion'
12 PRINCIPLES OF ANIMATION
WEEK - 9 : APPLYING SKILLS
CRITICAL & REFLECTIVE ANALYSIS
WWW
(WAHT WENT WELL...)
1.
2.
3.
EBI
(EVEN BETTER IF...)
1.
2.
3.
WEEK - 10 : APPLYING SKILLS
TASK : A STORYBOARD WITH FILM GRAMMAR
I have chosen "Aliens" film script and decided to work with Elias. We found video clip on Youtube and Break down the scene into first 7 scenes and last 7 scenes and we made a storyboard with using lines, arrows and frames.
[Storyboard Requirements]
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16:9ratioboxwithroomoutsidethebox
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Number all scenes and shots.
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Use lines of action and movement in your storyboards (camera and action).
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Addnotesandinstructionsunderthekeyimage.
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No colour.
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If you are using PhotoShop, create new folders in your layer panel for each storyboard. Name each one by the number of your storyboard.
MY STORYBOARD
1.
The power Loader’s vice grips spins and moves up and down
2.
The hydraulics machine legs move forward.
3.
Ripley controls the machine with controller.
4.
The machine grips fork and hold a heavy container.
5.
The machine lifts the container and move toward Hicks and Apone.
6.
Ripley says “Where you want it?”
7.
Hicks and Apone laught
NOTAN FILM STILLS
Mission: Impossible 2 (2000)
Basic Instinct (1992)
ASSIGNMENT__1
ARITST RESEARCH
KIM JUNG GI
Kim Jung Gi is South Korean artist and illustrator. He has incredible memory that he is able to draw without any aid of references, he is able to memorise and quick sketch with no any preparatory work. His ability to render in his brain is most notable creative asset in his works.
Juan Carlos Ruiz Burgos
Ruiz Burgos is a Spanish graphic designer, he started working as a cover artist in the comic book industry in 2013. He has developed art for all kind of projects such as albums covers, books, magazines or film posters. Besides, he's an online former of Digital Art on Pixelodeon 3D School.
PHOTO STORY
BACK TO THE HOME
ASSIGNMENT__2
ANIMATION
THE ROBBER
